Taylor Swift has broken her own record for the highest-grossing U.S. tour by a female artist. The Look What You Made Me Do singer has been trekking across the U.S. and other nations since May (18) on her epic Reputation Stadium Tour. Her U.S. gigs alone have now made an incredible $191.1 million (£148 million), according to Billboard.com, meaning that with 11 American dates still to play she has surpassed the gross earnings of the previous record holder, her 1989 World Tour - which made $181.5 million (£140.5 million) in 2015. During the tour, she has averaged earnings of more than $7 million (£5.4 million) per show - with all 27 of her completed dates sold out. The pop princess is having a brief break from the road after performing at the Hard Rock Stadium in Miami Gardens, Florida last Saturday (19Aug18). After the gig, she praised hometown girl Camila Cabello - who has supported her alongside British singer-songwriter Charli XCX throughout the tour. "MIAMI I LOVE YOU!! You were so loud and FUN," she wrote on her Tumblr page. "Shout out to Camila for killing it in her hometown and being just the greatest most precious magical human possible." The concerts will pick up again this coming Saturday in Nashville, Tennessee - the city where a teenage Taylor made her name as a country music star. In addition to her U.S. gigs, Taylor has also performed in the U.K., Ireland and Canada, with the latter concerts having grossed $11.1 million (£8.5 million). Figures for her British and Irish dates are yet to come in, and unlike in the U.S., not all of these shows sold out. She will conclude the tour in Australia, New Zealand and Japan - meaning the worldwide takings from the Reputation Stadium Tour should easily surpass the $250 million (£193 million) her 1989 live dates made globally - and may come close to beating the $408 million (£316 million) Madonna's Sticky & Sweet Tour made in 2008 and 2009, the most earned globally by a female artist.
Are Justin Bieber and Selena Gomez going to rekindle their romance? Never say never. “He loves her. He wants her back,” a Bieber source says of the singer, adding he “misses” Gomez. A rep for Bieber did not immediately respond to PEOPLE’s request for comment. After Gomez, 25, and the Weeknd split in October, she and Bieber, 24, reconciled and began hanging out but were never “officially” back together. Since the fall, the pair took several trips together, celebrated Valentine’s Day together and even traveled to Jamaica for Bieber’s father’s wedding in February. But in March, the singers — who have dated on and off since confirming their relationship in 2011 — pumped the brakes on their latest go of it. “They weren’t getting along and decided to take a break,” an insider told PEOPLE at the time. “It doesn’t seem like a big deal and they will probably be fine soon again.” After years of fueling headlines with some very public growing pains, Bieber appears to be in a much better place now, focusing on his family, friends and spirituality. And the Bieber source says Gomez is good for him, adding: “He’s definitely different around her.” Indeed, in February, a separate source told PEOPLE, “Their relationship is very special. They have both changed, their lives are so different and it really seems things could work out great this time. They have both hugely matured. Justin is very supportive of Selena feeling her best.”
Christina Aguilera became tearful in a video she shared to thank her fans for their unwavering support. The 37-year-old released her eighth studio album, Liberation, on Friday (15Jun18), and the star posted the video to Twitter with the caption: "Fighters this goes for you too...." Aguilera is seen celebrating while in a restaurant, and decided to dedicate her emotional speech to her loyal fans. "This business is so cutthroat and it's so hard. I feel like I'm gonna cry. When I feel protected, I'm at my best and I just adore the people that are truly loyal to me. And I just love you guys so much," Aguilera said as she became visibly emotional.
Will season 5 of “Jane The Virgin” be the last? Series star and co-executive producer Gina Rodriguez said so during the Women To Watch day of panels from Create & Cultivate and Fossil in Austin, Texas on Sunday. Rodriguez discussed directing, which she tried her hand at in a pivotal season 4 episode, saying, “When it came to directing ‘Jane,’ as the star of the show — as a woman, as Latina, I was like, ‘I need to come so correct that I cannot be denied.'” After calling it “the most incredible experience,” Rodriguez noted that her episode happened to be “the highest-rated of the season” and concluded by noting that she has plans to “do more [directing] next year — in our final season.” However, the CW has not yet made any official announcements or pick-ups for returning shows next season. “Jane The Virgin” is not Rodriguez’s only project at the CW. She is also developing a female-driven drama entitled “Femme” and a dramedy about an undocumented immigrant called “Illegal.” Back in January, CW president Mark Pedowitz told Variety that he wanted to “stay in the Gina Rodriguez business.” “Gina is a friend,” he said. “She is a special, special person. Really, she is the real frickin’ deal. That’s how much I feel about her and respect her.” Rodriguez won a Golden Globe for her portrayal of Jane Villanueva on the comedic take on a telenovela in 2015. It was the first-ever Globe for the network. The latest episode of “Jane The Virgin” grabbed approximately 600,000 live+same day viewers and earned a 0.2 in the 18-49 demo. It is averaging a 0.3 in adults 18-49 and 652,000 viewers per episode in live+same day this season, down around 30% in both measures from last season. It remains one of CW’s lowest-rated originals, ranking above only “Crazy Ex-Girlfriend” and freshman shows “Valor,” “Dynasty” and “Life Sentence,” the last of which debuted last week.